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TAXONOMY

In Taxonomy, Beverly Penn pairs botanical samples with taxonomic UPCs on angular structures. Nodding to scientific method, she chooses pairings through narrative links—plants growing side by side, sharing leaf forms, or existing at similar life stages. With plant modification long embedded in human history—from grafting to genetic engineering—Penn suggests that barcoding nature is a plausible extension.

The formal strategies in Taxonomy echo centuries of visual systems meant to decipher natural mysteries. Botanical metaphors structure family trees; phenology charts track climate and ecological change; herbarium sheets timestamp plant life. This quantifying impulse also shapes human design—from bar graphs to lab vessels and industrial pipes. By substituting charts with imaginative botanical pairings, Penn reframes how we understand the systems we use to inventory the world.

Pieces in this series are made from bronze, steel, nickel, brass, cardboard, and mica and typically measure approximately 24 x 15 x 4 inches.

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Taxon

2025

Vector

2008

Ligase

2024

Genus

2005
Collection of Rebecca and Alan Krasne
Supported by a Faculty Research Grant, Texas State University

Phylum

2005
Collection of Linda & Mervin Moore
Supported by a Faculty Research Grant, Texas State University

Protista

2006

Family Tree

2004
Collection of Sharon Drinkwine and Bob Lermitt
Supported by a Faculty Research Grant, Texas State University

Genome

2006
Collection of Douglas Jorden